's viewed that, apart from its last two songs, the album 'hits every time' and quipped, 'Pink (!) and her 21 collaborators fashion a recorded image of her feisty, heartfelt, all-over-the-place love/sex life.' Although he found it 'supercatchy', of viewed that the album 'devolves into self parody' as 'Pink strains to shock, peppering songs with gratuitous curse words.' Hermoine Hoby of favored its 'workmanlike ballads delivered with beyond-workmanlike shading' over its 'chunky guitar pop stuffed with shouty, bad-girl choruses', which she considered 'dominates' the album.
